“This Area Is Under Quarantine”

Patrick Winn - GlobalPost November 6, 2009 18:11 ET

Gay sex on film? No problem. Baring political rifts, problem.

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Live and let live in Thailand. Except when one gay man is Buddhist, and the other is Muslim.

By Patrick Winn - GlobalPost
Published: November 7, 2009 11:41 ET

BANGKOK, Thailand — The gay sex scene alone would be enough to ban “This Area Is Under Quarantine” in many countries.

Filmed in a Bangkok hotel room, the scene offers lots of out-of-focus flesh, lots of fast breathing, lots of hands pawing at tighty whiteys.

But that’s not why Thailand’s Ministry of Culture banned the film, said 37-year-old director Thunska Pansittivorakul. His film was censored, he said, for baring the kingdom’s political rifts and showing raw footage of Thai soldiers detaining Muslims.

“The culture ministry told me it threatens the security of our nation,” Thunska said. “So they banned it.”

Thailand is well-known for its live-and-let-live attitude toward homosexuality and transsexuals. As long as films depicting gay erotic couplings don’t veer too close to pornography — i.e., penetration or full display of sex organs — they’re tolerated as well as any movie with heterosexual erotic scenes.

But politics here remain raw as ever. An urban-rural class divide has played out in roaring street protests. Regions remain at political odds. And Muslim separatists continue a bombing and beheading campaign in Thailand’s deep south.

quarantine movie poster
A promotional poster for the banned film.
(Courtesy of Thunska Pansittivorakul)

In “Quarantine,” Thunska attempts to fuse the country’s varied tensions in back-to-back scenes. He pairs up two men, one from the insurgency-torn deep south and another from a poor rice-farming Northeast region.

One man is Buddhist, one is Muslim and both are gay. Before they become intimate, the film presents footage from the “Tak Bai” incident, a 2004 military crackdown on Muslim protesters. More than 80 men, detained and piled into the back of an army truck, died from suffocation in the heat.

Footage of the raid was circulated widely on YouTube and disseminated via CD to galvanize Muslims in southern Thailand against the government.

“It compares between violence the government has showered on the people and the intensity of the sex scene,” Thunksa said. “But the Tak Bai footage is something anyone could find on YouTube.”

Before it was submitted for government review, “Quarantine” was secretly shown five times in Thailand and publicly at the “International Film Festival Rotterdam.” Thunksa produced the film for less than $6,000, he said.

“The sex scene is quite erotic, because the camera is constantly moving and it’s cut very fast, so the effect is like a montage,” said Matthew Hunt, a cinephile and blogger in Bangkok who saw the film at a private screening.

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Patrick Winn, November 10, 2009 03:55 ET

As a postscript to this story, here are a few films that were not banned by the government for the ongoing World Film Festival of Bangkok. This was was meant to be the "Quarantine" film's first major home turf showing.

Many films with sexual themes were cleared. Such as:

"Sex Toys Stories," a documentary on three different women who sell sex toys for a living.

"Body Fluid is So Revolutionary," a Thai film about a man who is allergic to his girlfriend's bodily fluids. Naturally, this leads to an impasse in their sex life and he is told to seek satisfaction from other partners.

"Absurdistan," a comedy involving an Afghan village whose women, angered by a water shortage, go on a sex strike. (Which is more of an anti-sex theme, I suppose.)

The rest of the lineup is a mix of various art house-style offerings. None of them appear to delve too deep into Thai politics, judging from the synopses.

But this reiterates that, within reason, sex alone is unlikely to push a film into the ban category in Thailand.

As always, comments are encouraged!

boredwell, February 2, 2010 09:27 ET

Absurdistan, though it lifts the battle of the sexes from Aristophanes' Lysistrata and flavors it with the magical realism of Llosa, Allende and Marquez, is a political metaphor used to satirically describe a country in which absurdity is the norm, especially in its public authorities and government.

freedomfilmfestival, January 11, 2010 08:54 ET

It's interesting how the film industry around the world has really come on in recent years. There have been so many different subject matters that have been so much less and yet has caused so much fury and upset. Pheobe

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